
Time's glory is to calm contending kings, To unmask falsehood
and bring truth to light.
William Shakespeare
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| Considering the details Jack
forgot to mention in his invitation, Hank
Campbell would have been much happier spending the rest
of his time in the dark.
For one, Her Majesty Gertrude
VII's kingdom, Medillo
Grande, is the only part of Poco Cabesa that isn't automatically
preceded by "that godforsaken hole" in normal conversation.
And Gert rules there with a mysterious and matriarchal hand,
which keeps visitors to a minimum. |
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| Rudy
Tonagachowski -- The "slack-key King"
of Medillo Grande, Arbor Day, 1939 |
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Izzy
Wu O'Riley
Local notable and freight-hauler, circa 1920
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| "Hopeless"
Hollinsworth and unidentified Milanese man during
ill-fated guano panning scheme, Summer of 1904 |
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| Over in Joetown, things
were and are quite different. Comrade
Joe the Only, enlightened capitalist though he might
be, is also a product of his culture. Any business showing
a profit draws Comrade Joe and his boys like picnics draw
ants.
Despite his education, Joe carries the genetic code of
the risk-takers, freebooters, buccaneers, and marine supplies
salesmen who made Poco Cabesa what it is today. Try as he
might, sometimes his pirate nature gets in the way of his
entrepreneurial spirit.
At various times, Comrade Joe the Only's uncle (Comrade
Joe the First) claimed that he could trace his heritage
to ancestors as diverse as Hyman
Klinkle, an ancient African Aksum king named Malik Malik,
and a quarter-Cherokee singer-barmaid named Dewdrop. |
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| Failed
"guano catcher" device, circa 1906 |
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| The
Do Me Quartet (Dewdrop, far right) |
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| However, Hyman
was a circumspect, devoutly religious man, who bored his own
long-suffering wife to tears for nearly fifty years, nobody
in ancient Aksum ever heard of a Malik Malik, and all that
was worth remembering about Dewdrop was lost long ago on some
repainted men's room wall. |
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| But nobody holds these reality
misdemeanors against Joe the First. Making up your past is
as common on Poco Cabesa as tattoos on a professional basketball
player. |
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| "Sylvester"
at war, June 1942 |
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| "Sylvester's"
old outfit |
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Add to the above the simple
fact that Jack Waller's
"Following the Equator Air & Sea" is, simply expressed,
a bottom-feeder in the charter biz.
Its "clients" are people who wait until the last
minute (or those who don't have a choice to begin with)
and it flies where no else bothers to go (or wants to). |
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Early attempt at bungee-jumping
on Poco Cabesa
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All this, of course, depends on Jack's ancient PBY Flying
Boat, "Sylvester," being, well, flyable.
The preceding would be bad enough were it not for the fact
that the one enterprise on Poco Cabesa best suited to work
arm-in-arm with FTEA&S is owned and operated by young
Emma Riley, Jack's
mortal enemy.
A voluntary refugee from the business world rat-race, Emma
operates "Riley's Dream" (or tries to), a cluster of bed-and-breakfast
cottages on the southern point of Medillo Grande. |
| Built by her father, Cap'n
Roy (another naval aviator, Jack's first C.O., and an
island legend or apparition, depending upon your viewpoint,
who also happens to have been Her Majesty Gert's last husband),
the modest resort failed aborning.
"We was gonna attract the world's luminaries!"
Jack still claims.
In Emma's mind, Jack gets top-billing in the story of
her father's island debauches, shaky investments, and untimely
demise. Anything or anyone associated with Jack is persona
non grata to her.
Which is going to complicate things quite a bit for old
Hank. |
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| Emma's
old hometown. |
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| Is
"Riley's Dream" on his take-over list? |
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| When "Sylvester" does fly, distance is
no barrier (assuming you have lots of time). That means
FTEA&S clientele run the gamut, from the learned to
the loony to the sometimes shady, and the routes, well,
the routes sometimes follow the Equator.
It also means that, like the old tramp steamers that once
wandered the world's oceans, FTEA&S takes the risk that
a potential customer is waiting at the next stop. But, considering
the risk someone takes when they charter "Mad Jack"
and crew, everything balances out in the end. Anyway, it
makes for some dandy tales!
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| The
altar-cloth of one eon is the doormat of the next.
-- Mr. Twain |
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